Emotions and Fiction: Philosophical and Psychological Puzzles
Rivista di Estetica, n. 91 (2/2026)
Rosenberg & Sellier
22 Aprile, 2026
ISBN 9791259934598
This special issue explores one of the most intriguing puzzles in aesthetics and philos ophy of mind: our emotional engagement with fiction. Why do we have emotions to ward events and characters we know to be non-existent? And what do these responses reveal about the nature, rationality, and val ue of emotions? Bringing together leading philosophers and emerging scholars, the volume revisits classic debates – from the paradox of fiction to the appeal of tragedy and horror – while also offering new per spectives on phenomena such as emotional recalcitrance, moral self-knowledge, and the attraction of “junk” fiction. The contributions show how engagement with fiction shapes our emotional lives, evaluative outlooks, and understanding of ourselves. The result is a rich and interdisciplinary dialogue that underscores both the enduring vitality of these questions and their broader signifi cance for theories of emotion, imagination, and knowledge.
indice
GIULIO SACCO, IRIS VIDMAR JOVANOVIC,
MARCO VIOLA, Emotions and fiction: philosophical and psychological puzzles
DEREK MATRAVERS, Fiction and emotion: what is the problem?
STACIE FRIEND, ALEX GRZANKOWSKI, Fiction, emotion, and recalcitrance
DONG AN, A pragmatist solution to the paradox of fiction
ED ARMITAGE, Anticipatory imagining and the paradox of fiction
ANDREA SCARANTINO, How emotions about fictional objects motivate behavior
FABRICE TERONI, Emotions for fictional entities and their epistemic role
DIANA CRACIUN, Fiction, emotions, and self-knowledge
ALFRED ARCHER, NATHAN WILDMAN, Like I’ve been there before: the consolation of
junk fiction
MATTHEW STROHL, Cringe comedy as social horror
KACI HARRISON, Pondering the paradox: a play theory of painful art
Varia
YING LAN, Dreyfus’s interpretation of Heidegger’s art theory: the ontology of art in background practices
STEFANO FERRANDO, Art, history, representation, and consciousness in early Danto philosophy
GABRIEL GALIANO, Otomo Yoshihide: musicista o “noise-maker”? Una lettura wittgensteiniana
Read the volume online here

