Submissions
Submission Preparation Checklist
As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.- The submission has not been previously published, nor is it before another journal for consideration.
- The manuscript has been properly anonymized (please remove: author names, emails and affiliations, and acknowledgements. Recall to cancel metadata as well!)
- The manuscript file is in Microsoft Word, font Times New Roman, size 12 (except for the footnotes and the long quotations which are size 10).
- In the case of textual articles, the length of the text does not exceed 40.000 characters (with spaces) footnotes included. Book reviews do not exceed 4.000 characters (with spaces).
- If present, figures are all in JPEG or TIFF format, black and white at 1200 dpi, and accompanied by a specific file with captions.
- If present, the line drawings are all in EPS format at 1200 dpi.
- Special requirements (if any) for formatting graphs, table, pictures, use of special scripts (e.g. Greek letters or Cyrillic, logical and mathematical symbols, etc.), etc. Each one of these elements (together with their caption) has to uploaded separately from the main text, together with an indication of the exact position in the text (for instance ‘Fig. 3’, ‘Tab. 1’).
- The abstract is in English and it does not exceed 250 words.
- 3 keywords in English are provided.
- The section titles are numbered, in italics (without bold, underlines or Caps Lock).
- If in English, all the titles begin with a capital letter except for articles, prepositions and conjunctions.
- The article does not contain bold or underscores.
- The final bibliography is compiled according to the author guidelines.
Articles
Section default policySolicited Manuscript
A solicited manuscript is a manuscript that the author submits after a personal invitation of the editorial board, or the guest curator, to respond to the call. They usually are included in a special issue. Apart from this, solicited manuscripts follow the same double blind peer review process as the submitted ones. Length must not exceed 40.000 characters (with spaces), footnotes and captions included. Editors retain normal editorial responsibilities, including the right of rejection.
Submitted Manuscript (extra special issue)
A submitted manuscript is a manuscript that the author freely submits to the editorial board. Length must not exceed 40.000 characters (with spaces), footnotes and captions included.
CFP 2/2023 The Philosophy of Television Series
Guest editors: Mario Slugan (Queen Mary University of London) and Enrico Terrone (Università di Genova)
Deadline for submission: 1 April 2022
It is often said that television series are nowadays as good as films, or even better than them, but the philosophical inquiry into the former remains much less developed than the philosophy of film. A handful of recent books have tried to fill the gap, but there is much work still to be done. Significant contributions to the aesthetics of television series are coming from television studies and film studies, raising issues which philosophers are challenged to address. The special issue of Rivista di estetica looks for philosophical perspectives on television series with the aim of exploring this new fascinating area of research in which aesthetics and media studies can fruitfully interact. Topics for papers may include but are not limited to the following:
- Is TV series a self-standing form of art or is it to be traced back to the cinema?
- What is the relationship between television series and films?
- What is the relationship between television series and other forms of television (e.g. talk shows, reality shows, news)?
- What sets the Golden Age of Television (Peak Television) apart from the preceding era?
- Is there a narrative specificity of television series?
- What is the effect of seriality/seasonality on television series?
- How are television series related to other serial narratives such as comics?
- How do television series deal with the system of film genres?
- The fiction/nonfiction divide in television series.
- The antihero and the antiheroine as outstanding characters in television series
- Philosophical themes in television series
Instructions: Articles must be written in English and should not exceed 30.000 characters.
In order to submit your paper, please register and login to: http://labont.it/estetica/
When asked “What kind of file is this?”, please select the relevant CFP.
Please notice: when asked “What kind of file is this”, please select the relevant CFP.
CFP 3/2023 Ontology of Finance
Title: Ontology of Finance
Guest editors: Gloria Sansò (University at Buffalo) and Barry Smith (University at Buffalo)
Deadline for submission: 30 June 2022
One famous scene in The Wolf of Wall Street (2013) is the dialogue between the young Jordan Belfort (Leonardo DiCaprio) and the expert trader Mark Hanna (Matthew McConaughey). Hanna is complaining that the stock market is unpredictable; it’s “fugazi … it’s fairy dust. It doesn’t exist. It’s never landed. It is not matter. It’s not on the element chart. It’s not real”. But the fact that something is unpredictable and non-physical does not imply that it does not exist. On the other hand, its unpredictability, non-physicality, and the fact that the stock market trend is largely determined by investors’ beliefs, do make its nature difficult to grasp.
This special issue of Rivista di Estetica aims to explore the financial sector from an ontological point of view. While the ontology of money has been extensively studied, few scholars have focused on the stock market and, more generally, on those entities belonging to the investment landscape. Matters are made more complicated by the fact that the financial sector is characterized by an ever-increasing use of digital technology, including software elements that trade in the market themselves. We believe that a careful study of this phenomenon may help us better to understand the role of artificial agents in the social world.
Topics and research questions include (but are not limited to):
- The nature of financial instruments, financial risk, financial markets
- The nature of buying, selling and investing
- The problem of performativity in the financial world
- What is the difference between price and value?
- Are the orders placed by an automated trading system social acts?
- What is the role of documents in finance?
- Can the financial market be fair?
Instructions: Articles must be written in English and should not exceed 40.000 characters, notes and blank-spaces included.
In order to submit your paper, please register and login to: http://labont.it/estetica/
Please notice: when asked “What kind of file is this”, select the relevant CFP.
For further information, mail to: gsanso@buffalo.edu
Webpages: https://labont.it/
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Book Reviews
Book reviews must must not exceed 4.000 characters (with spaces). Proposals for Book reviews shall be sent the Editorial Board (rivista.estetica@gmail.com) in order to be approved.
Manuscripts not prepared accordingly will be returned to authors and this will inevitably lead to a delay in the editorial processing of the manuscript.
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