Tiziana Andina

Address: University of Torino, Dep. of Philosophy,
Via San Ottavio 20 – 10124 Torino, I-Italy
Phone (office): +39.011.670 8209
Fax: +39.011.236.3733
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Email: tiziana.andina@unito.it

Curriculum vitae| Wiki Page | Amazon English Page | Amazon Italian Page | Academia.edu | PressHomepage: www.labont.it/andina
 
 
Position
ASSOCIATE PROFESSOR, University of Torino
 
 
Qualification
National Scientific Qualification as FULL PROFESSOR(M-Fil/01)
 
 
Area of Specialization
Metaphysics, Philosophy of Art, Social Ontology, Aesthetics.
 
 
Areas of Competence
Ontology, Philosophy of Art, Aesthetics, Hermeneutic, Contemporary Philosophy.
 
 
Current researches
Social ontology, Ontology of the works of art, Contemporary philosophy.
 
 
Education
2004   Phd. Thesis: Friedrich Nietzsche e l’estetica della percezione indiretta [Friedrich Nietzsche and the Aesthetics of the indirect perception]

2000-2003  Phd. in Philosophy (Aesthetics), University of Palermo, Italy

1994     Degree in Philosophy, University of Torino, Italy [Nietzsche e i suoi interpreti americani, scientific supervision, prof. Gianni Vattimo]
 
 
Research Projects
2017 Fondo per il Finanziamento delle Attività di Base di Ricerca – FFABR

2017 RILO- Local Research

2016 RILO- Local Research

2016-2017 Participation to the research project “Documentality”, Fondazione Italiana del Notariato (PI Prof. Maurizio Ferraris).

2016-2017 Participation to the research project “I work therefore I am (European)”, Erasmus + Programme – Jean Monnet “Policy Debate with academic world” (PI Prof. Maurizio Ferraris).

2015-2016 “DADA. Defining Art, Defending Art-world”.

2013-2015 Participation to the research project “DOC. Documentality Organizing Complexity”, EU Accelerating Grant, Compagnia di San Paolo (PI Prof. Maurizio Ferraris).

2013-2014 Participation to the research project “Documental Art”, Museo d’Artecontemporanea, Naples (PI Prof.Maurizio Ferraris)

2009-2012 Vice PI, “.DOC. Documentality and Organization of Social Complexity” (PI Prof. Maurizio Ferraris).

2006-2008 Participation to national research project: “Documentality: Ontologies and Technologies for the Citizenship and the Democracy” (PI Prof. Maurizio Ferraris).

2004-2006 Participation to national research project: “Ontological Canon: An Integrative Approach to Knowledge Organisation” (PI: Prof. Maurizio Ferraris).

2003-2005 Participation to national research project: “Doing Things with Images” (PI Prof. Tonino Griffero).

2012 PI (with Prof. Leszek Sosnowski), “A.C. Danto and the Beginning of Art. From Academism to Popartism”.

2002-2004 Participation to national research project “Property of Objects and Property of Ideas” (PI:Prof. Maurizio Ferraris).
 
 
Scientific Direction
2017- Scientific Direction of the philosophical section of the project Acamedia: project for the improvement of scientific research (https://www.acamedia. unito.it)

2016  Scientific Direction of Laboratory for Ontology (Labont: www.labont.it)

2016-   Scientific Direction of the international summer school: Identity and Conservation of Contemporary Artworks: Duties and Responsibility (http://www.contemporartlaw.com)

 
 
Direction: Journal and Series
2016 (with Gianmaria Ajani and Werner Gephart) Brill research perspectives on Art and Law, Brill, Leiden-Boston

2016   (with David Carrier), Analytic Aesthetics and Contemporary Arts, Bloomsbury Academic, London-New York

2011 Collana di Estetica, Mimesis Editore
 
 
Post held
2016 Visiting Professor, Department of Philosophy, University of Warsaw, (1 week).

2014 Visiting Professor and Scholar, Saint-Petersburg State University of Information Technologies, Mechanics and Optics (ITMO).

2008-2009 Visiting Scholar, Department of Philosophy, Columbia University, New York.

2006-2015 Assistant Professor, Department of
Philosophy, University of Turin.
 
 
Institutional Responsabilities and Membership of Scientific Societies
2017 Member of American Society for Aesthetics
(ASA) [http://aestheticsonline.org/?

2017 Member of “giunta di dipartimento”, at the Department of Philosophy and Education, Università di Torino.

2014 Member of the research commission of Department of Philosophy and Education,
Università di Torino

2011 Member of the Italian Society of Analytic
Philosophy (SIFA)

[http://www.sifa.unige.it]

2011 Member of Italian Society of Theoretical Philosophy (SIFIT)
[http://www.teoretica.it]

2000 Member of the Italian Society of Aesthetics (SIE)
[http://www.siestetica.it]
 
 
Prize
2018 ALTIERO SPINELLI PRIZE FOR OUTREACH: SPREADING KNOWLEDGE ABOUT EUROPE (THIRD PRIZE, 17.000 EUR), title of the project: “Humanities for Europe”.
CALL: EAC/20/2017 APPLICATION NO 258 HUMANITIES FOR EUROPE
 
 
Felloships
2015 Fellow at the Käte Hamburg Center for Advanced Study in the Humanities “Law Culture” (Bonn) [six months]

2008-2009 WWS – World Wild Style, Fellowship, Università di Torino [eight months at Columbia University]
 
 
Scientific Publications
 
Englsh Books
(2017) What is Art?. The Question of Definition Reloaded, Book Series: Brill Perspectives in Art and Law, Brill, Leiden-Boston (1.2.)

2017:http://www.brill.com/products/journal/brill-research-perspectives-art-and-law]

(2016) An Ontology for Social Reality, London-New York, Palgrave Macmillan.

(2014) (Ed.) Bridging the Analytical-Continental Divide. A Companion to Contemporary Western Philosophy, Leiden-Boston, Brill, 2014

(2013) The Philosophy of Art: The Question of Definition. From Hegel to Post-Dantian Theories, Translated by Natalia Iacobelli, London-New York, Bloomsbury Publishing; Paperback edition 2014 [Widget]

(2011) Arthur Danto: Philosopher of Pop, Cambridge, Cambridge Scholars Publishing

Italian Books
(2016) Ontologia sociale. Transgenerazionalità, potere, giustizia, Roma, Carocci.

(2012) Filosofie dell’arte. Da Hegel a Danto, Roma, Carocci; 1a ristampa 2012 (Engl. Translation, Bloomsbury Academy, 2013)

(2010) Arthur Danto: un filosofo pop, Roma, Carocci (Engl. Translation, Cambridge Scholars Publishing, 2011)

(2009) Confini sfumati. I problemi dell’arte, le soluzioni della percezione, Milano, Mimesis

(2005) Il problema della percezione nella filosofia di Nietzsche, Milano, AlboVersorio

(2005) Percezione e rappresentazione. Alcune ipotesi tra Gombrich e Arnheim, Palermo, Aesthetica Preprint

(1999) Il volto americano di Nietzsche, Napoli, La Città del Sole
 
 
Articles
(201x) Metaphysics and Ontology in the Contemporary Debate, Proceedings of the International Conference in Modern Ontology – VI, San Pietersburg, June 25th- 29th 2013, (in press).

(201x) A Quasi-Definition of Works of Art. Philosophy and Criticism for an Art in Action, Proceedings of the 19th International Conference of Aesthetics, Krakow, Poland, June 25th, (in press).

(201x) Embodiment/Medium, in Lydia Goehr, Jonathan Gilmore (eds.), A Companion to Arthur C. Danto,
New York, Wiley-Blackwall [accepted for the publication and expected in 2018]

(201x) Transgenerational actions and responsibility, in «Journal of Critical Realism» [accepted for publication].

(2018) (with Carola Barbero and Carolyn Korsmeyer), Can Food Be Art?, in «The Monist», volume 101, issue 3, July 2018, pp. 353-361. [https://doi.org/10.1093/monist/ony003]

(201x) La verità dell’arte, in «Giornale di Metafisica» [accepted for the publication].

(2018) An Ontology for the Works of Art, in “Proceeding of the XXIII World Congress of Philosophy”,
pp. 15-19, DOI: 10.5840/wcp23201812

(2017) The Exemplarity in Contemporary Arts, in «Law and Literature» DOI: 10.1080/1535685X.2017.1379190.

(2017) Contemporary Art: Judgement and Normativity, in «Rivista di Estetica» (2/2017), pp.79-90.

(2017) Invisible Violence as the Basic Instinct of Life, in Invisible Violence, Blanca de la Torre, Zoran Eric, Séamus Kealy, Museum of Contemporary Art, Belgrade, pp. 102-108.

(2017) Normativity and Beauty in Contemporary Visual Art, «Rivista di Estetica» (1/2017), pp. 151-167.

(2017) Goodbye Beauty. Normativity in Contemporary Visual Arts, in Werner Gephart and Jure Leko (ed.), Law and Art. Elective Affinities and Relationships of Tension, Frankdurt am Main, Klosterman, pp. 47-62. [ISBN 978-3-465-04298-3].

(2016) Transgenerazionalità e Stato, in Ermeneutica, Estetica, Ontologia. A partire da Maurizio Ferraris, Tiziana Andina e Carola Barbero (eds), Bologna, Il Mulino, 2016, pp. 159-185.

(2016) Una definizione di contemporaneo, a cura di L. Marchetti, L’estetica e le arti. Studi in onore di Giuseppe Di Giacomo, Mimesis Edizioni, pp. 21-29.

(2016) Lo “spirito materiale” di Wang Guangyi: una religione incorporata nell’arte, «Rivista di Estetica» special issue, pp. 5-13.

(2015) Embodied Meanings and Normativity. Some Remarks for a New Concept of Art, “Journal of Visual Semiotic”. Vol. 6/4, pp. 11-27 (http://praxema.tspu.edu.ru/en/archive.html?year=2015&issue=4).

(2015) Tra Lichtenstein e Warhol: il Pop fiabesco di Ugo Nespolo, « Rivista di Estetica» special issue n. 58 (1/2015), LV, pp. 71-76.

(2015) What Still Stands of Croce’s Aesthetic, «The Polish Journal of Arts and Culture» n. 10 (2/2014), pp. 9-20.

(2014) The Artistic Disenfranchisement of Reality, «Philosophical Reading».

(2014) Denkweg o di un certo gusto per la narrazione in arte, «Rivista di Estetica» special issue, pp. 5-10.

(2014) (with A. Borghini), Metaphysics and Ontology, in Bridging the Divide: A Companion to Contemporary Western Philosophy, Boston-Leiden, Brill, pp. 8-37

(2013) Taking Danto’s Suggestion Seriously: Nietzsche’s Theory of Truth, in The Philosophy of Arthur C. Danto, (Library of Living Philosophers), Open Court Publishing Company, Chicago/La Salle (Illinois), pp. 483-508

(2013) Quello che resta della Estetica di Croce, in Costellazioni Estetiche. Dalla Storia alla Neoestetica, a cura di P. D’Angelo, E. Franzini, G. Lombardo, S. Tedesco, Milano, Guerini, pp. 17-25York.

(2013) L’importanza degli affetti. Note per una ontologia sociale incorporata, in «Rivista di estetica» n. 53 (2/2013), pp. 179-195.

(2013) (with A. Borghini), Metafisica e Ontologia, in T. Andina (ed. by), Filosofia contemporanea. Uno sguardo globale, Roma, Carocci, pp. 25-57; English translation, Metahysics and Ontology, in T. Andina (Ed.), Bridging the Analytical-Continental Divide. A Companion to Contemporary Western Philosophy, Leiden-Boston, Brill, 2014.

(2012) Realismo in ontologia, idealismo in arte, in «Methode-Analytic Perspectives», vol. 1. n. 1, (http://www.methodejournal.org/indexmoz.html).

(2012) Profilo di Arthur C. Danto, in «Aphex. Portale italiano di filosofia analitica» (http://www.aphex.it/)

(2012) Nietzsche Filosofo, Introduzione alla edizione italiana di, A.C. Danto, Nietzsche Filosofo, Milano, Mimesis, pp. 7-18

(2012) Sui veicoli semantici che sono opera d’arte, in «Aisthesis. Electronic Journal of Aesthetics» (http://www.aisthesisonline.it/)

(2012) Il mondo dell’arte come istituzione sociale, in «Rivista di Estetica» n. 49 (1/2012)

(2011) (with Carmelo Calì) Una vita contro. Conversazione con Lucia Pizzo Russo, in “Rivista di Estetica”, n. 48 (3/2011)

(2010) Se il tempo fosse un gambero, Aphex (Electronic Journal of Analytic Philosophy) n. 2/2010

(2010) Conversation with Arthur C. Danto, Aphex (Electronic Journal of Analytic Philosophy) n. 1/2009

(2008) Critica, in Maurizio Ferraris (ed. by), Storia della ontologia, Milano, Bompiani: pp. 178-183.

(2008) Alcune ipotesi della metafisica nietzschiana, in Nietzsche. Edizioni e interpretazioni, a cura di M.C. Fornari e S. Franzese, Pisa, ETS: pp. 13-47

(2008) “No appreciation without interpretation”, in «Rivista di estetica» n. 38 (2/2008)

(2008) Dalla parte di Testadura. Ontologia e percezione, in «Rivista di estetica» n. 39 (3/2008)

(2008) Il futuro dell’estetica. Introduzione (with P. Kobau), in «Rivista di estetica» n. 38 (2/2008)

(2007) Introduzione. Un Brillo Box in salotto, in «Rivista di estetica» n. 35 (2/2007)

(2006) Cesare Brandi nel mondo delle scatole Brillo, in L. Russo (a cura di), Attraverso l’immagine. In ricordo di Cesare Brandi, Supplementa (n. 19/2006), Palermo

(2006) Mente, corpo e percezione, in «Studium Philosophicum. Annuario di filosofia del linguaggio e della conoscenza», Palermo, Nuova Ipsa Editore

(2005) Albori di una ricezione: Nietzsche e i primi lettori americani, in Nietzsche e l’America, a cura di S. Franzese, Pisa, ETS: pp. 151-199

(2005) Introduction. Thinking about Nietzsche, in «Rivista di estetica», n.28 (1/2005): pp.3-15

(2005) Nessun omuncolo in vista, in «Rivista di estetica», n. 28 (1/2005): pp. 123-146

(2003) Dialogo tra un epistemologo e un filosofo che amava Aristotele, in «Rivista di estetica» n.s, n. 24 (3/2003), XLIII, 2003: pp. 8-12

(2001) Eterno Ritorno: Nietzsche, Blanqui e la cosmologia del Big Bang, in «Rivista di estetica» n.s., n.17, 2001, XLI: pp. 3-36

(1998) Alle origini dell’ontologia nietzscheniana: sulle tracce di R.J. oscovich, in «Rivista di estetica» n. 3 1998, XXXVIII: pp. 145-172; Reprinted in HyperNietzsche, 24/07/2002,

(1998) Walter Kaufmann e la riscoperta di Nietzsche, in «Pratica Filosofica» 15 (1996) Nietzsche e i suoi interpreti americani II, in «Cultura e Scuola» 137: pp. 177-197

(1995) Nietzsche e i suoi interpreti americani I, in «Cultura e Scuola» 135-136: pp. 222-233
 
 
Edited Volumes
(201x) (with Angela Condello), Post-Truth. Philosophy and Law, Routledge [accepted for the publication, expected in 2019]

(201x) (with Erica Onnis), The Philosophy and Art of Wang Guangyi, Bloomsbury Academic,
[expected in 2018].

(2018) (with Carola Barbero and Carolyn Korsmeyer), Food, «The Monist», [expected in 2018].

(2016) (with Carola Barbero), Ermeneutica, estetica, ontologia. A partire da Maurizio Ferraris, Bologna, Il Mulino.

(2016) (with Demetro Paparoni), Wang Guangyi e la filosofia, «Rivista di Estetica», special issue

(2013) Filosofia contemporanea. Uno sguardo globale, Roma, Carocci; reprinted 2013.

(2011) Arte, psicologia, realismo. Saggi in onore di Lucia Pizzo Russo (with C. Calì), in «Rivista di estetica», n.s. n. 48, (3/2011)

(2008) Arthur C. Danto, La destituzione filosofica dell’arte, ed. by T. Andina, Palermo, Aesthetica Edzioni

(2008) Il futuro dell’estetica (with P. Kobau), in «Rivista di estetica», n.s. n. 38, (2/2008)

(2007) Artworld & artwork. Arthur C. Danto e l’ontologia dell’arte (eds. with A. Lancieri), in «Rivista di estetica», n.s. n. 35, (2/2007)

(2005) Nietzsche dopo il postmoderno, in «Rivista di estetica» n.s. n. 28 (1/2005)

(2003) Storie dell’ontologia (with C. Barbero), in «Rivista di estetica» n.s. n. 22 (1/2003)
 
 
Reviews
(2015) Salvatore Natoli, Nietzsche e il teatro della filosofia. Milan: Feltrinelli, 2011, in «Journal of Nietzsche Studies, Vol. 46, No. 3, 2015 , pp. 464-464.

(2010) Arthur C. Danto, “Andy Warhol”, in «Aphex (Electronic Journal of Analytic Philosophy», n. 2/2010

(2007) Arthur C. Danto, “The Abuse of Beauty, 2003”, «2R – Rivista di Recensioni Filosofiche», vol. 6, 2007

Translations

(1997) H. Myers, On Recognised Apparitions Occurring more than a Year after Death, «Proceedings of the Society for Psychical Research», London, vol. VI, 1889-1890, pp. 13-65 ; ed. by, Apparizioni, in «Rivista di Estetica» n.s., n.6, 1997, XXXVII: pp. 33-61;

(1997) William James,Review of  “Human Personality and Its Survival of Bodily Death”, in William Jameson Psychical Research, a cura di G. Murphy e R. O. Ballou, London, Chatto and Windus, 1961: pp. 225-239 ; trad. it., La personalità umana e la sua sopravvivenza dopo la morte, in «Rivista di Estetica» n.s., n.6, 1997, XXXVII: pp. 63-75
 
 
Talks
(2018) “Ciò che la tradizione analitica non sa:Nietzsche, Danto e l’identità dell’arte”, Arte e fine dell’arte. Radici continentali nella filosofia dell’arte di Arthur C.Danto, Università della Calabria,Italy, May 24-25 [invited] (http://www.unical.it/portale/portaltemplates/view/view.cfm80473).

(2018) “Azioni transgenerazionali e questioni di giustizia”, Università Vita-Salute San Raffaele, Italy, 10 April 2018 [workshop, invited] (http://www.unisr.it/phenomenologytoday-workshop-azioni transgenerazionali-e-questioni-di-giustizia/)

(2018) “Transgenerational actions and responsibility toward our species”, Our Species and Its Responsibilities. An Ontology for the Environmental Crisis, Università di Torino, Italy, 1-2 February 2018 [invited]

(2018) Europe’s Research and Innovation policy RISE independent expert advisory group to Commissioner Carlos Moedas, Collegio Carlo Alberto, Torino, Italy, 25 January 2018 [panel discussion, invited]

(2017) “What is Art? The Question of Definition Reloaded”, Museo Madre, Napoli, December 4th 2017 (http://www.madrenapoli.it/chi-siamo/ilmuseo/)

(2017) “The Philosophy of Art: An Analytical Approach”, University of Warsaw, Poland, November 23th, 2017 (http://www.filozofia. uw.edu.pl/2017/11/zaproszenie-na-wykladprof-tiziany-andiny-23-11-2017-g-1830-if-uw/)

(2017) “The New Technologies and Transgenerationality”, in I work therefore I am European. Metamorphosis of labour: social identity mobilization, integration, representation, European Economic and Social Committee (EESC), Bruxelles, November 9-11, 2017 (http://www.iworkthereforeiam.
eu).

(2017) “Transgenerational Actions and Responsibiity” in The Third International Research Conference, “Mechanisms for Formation of Cultural Exclusion and Frontiers Zones”, St. Petersburg State University, October, 25-28 (invited).

(2017) Verità ed esemplarità, Sifit (2017), Università di Padova, Italy. (http://www.teoretica.it)

2017) “For a Realist Conception of the State”, IACR 2017 Conference, University of Torino, July 19-22/2017.

(2017) “What do we protect by preserving art works?”, International summer school: Art&Law, La Venaria Reale, Italy, July 3, 2017.

(2017) “For a Realistic Conception of the State”, in “New Realism /Der Neue Realismus”, University of Sofia, Bulgaria, May 27.

(2017) Workshop on Post-Truth, Torino, Salone del Libro, May 21, [third mission: spreading action]

(2017) “Filosofia e arte contemporanea”, Centro Conservazione e Restauro, La Venaria Reale, Italy,
May 5,2017.

(2017) “Contemporary Art: Judgement and Normativity”, American Society for Aesthetics, 5-7 April, Asilomar, Pacific Grove, USA [selected talk and organization of a panel] [http://c.ymcdn.com/sites/aesthetics- online.org/resource/resmgr/conferences/ ASA_Pacific_Final_Program.pdf]

(2017) The second annual workshop of the International Society for Nietzsche Studies, University of Chicago, hosted by the Center for Law, Philosophy & Human Values, March 3-4 2017 [http://www.internationalnietzsche.org/chicago-2017.html].

(2016) “New Perspectives in the Ontology of Art: Embodied Meanings and Normativity” in “New Ontologies of Art Conference”, University of Warsaw, 14–15th December 2016.

(2016) “Oltre Wittgenstein. Nuove prospettive in ontologia dell’arte”, in “Il filosofo e l’artista. Il pensiero di Ludwig Wittgenstein e l’opera di Eduardo Paolozzi”, Università Ca’ Foscari di Venezia, 23-25 novembre 2016.

(2016) “Made in Italy: memory and innovation”, Workshop organizzato dall’Istituto Italiano di Cultura e dal Department of Philosophy della St. Petersburg State University: “Made in Italy: cultural exclusion or common memory?”, October, 20-22 (invited).

(2016) “States and Transgenerational Actions” in The Third International Research Conference, “Mechanisms for Formation of Cultural Exclusion and Frontiers Zones”, St. Petersburg State University, October, 20-22 (invited).

(2016) The International Society for Nietzsche (ISNS), Inaugural Workshop, May 23-24, University of
Bonn (invited: http://www.internationalnietzsche. org/previous-workshops.html)

(2016) “States and Transgenerational Actions”, in “Institution in Action”, University of
Rijeka
, May 26-28, (selected).

(2015) “Mechanisms of Exclusion Zone: Transgenerational Actions”, St. Petersburg State University, October (invited).

(2015) “Embodied Meanings and Normativity. For a new concept of art“. Kaete Hamburger Kolleg “Recht als Kultur”, University of Bonn, September 2015 (invited)

(2015) Comments on Peter Goodbrich’s, LegalEmblems and the Art of Law,Seminar at Kaete Hamburger Kolleg “Rechts als Kulture”, Bonn, 5.5.2015.

(2014) “What is Art”, Fordham University, New York, November 17th 2014 (invited).

(2014) “Some Remarks on the Essentialism in Social Ontology” Institute for Philosophy and Social Theory, Belgrade, May 9th 2014 (invited)

(2014) “Will to Power and the Invisible Violence”, in Invisible Violence. Project co-produced by the Museum of Contemporary Art, Belgrade and ARTIUM, Basque Museum-Centre of Contemporary Art, Belgrade, May 10th 2014 (invited)

(2014) “The Artistical Disenfranchisement of Reality”, in The Consequences of Realism, MAXXI Museo Nazionale delle Arti del XXI Secolo, Roma, May 4th 2014 (invited)

(2014) “Arthur Danto e Andy Warhol”, MLAC: Museo Laboratorio di Arte Contemporanea, Università “La Sapienza”, Roma, 11 aprile 2014 (invited)

(2014) “Estetica e Filosofia dell’arte in Arthur Danto”, Dottorato di ricerca in Estetica e Teoria
delle Arti, Università di Palermo, Palermo, 3 aprile 2014 (invited)

(2013) “The Ontology of Art”, in The Contemporary Reseraches in Ontology in Italy and Russia University of Turin and University of Petersburg, 26th November (invited)

(2013) “An Ontology for the works of art”, 23rd World Congress of Philosophy, Athens,Greecee, August 4th

(2013) “A Quasi-Definition of Works of Art. Philosophy and Criticism for an Art in Action”, 19th International Conference of Aesthetics, Cracovia, Polonia, 25 giugno, 2013

(2013) “Metaphysics and Ontology in the Contemporary Debate”, Modern Ontology. Two Points of View: Russia and Italy, Russia, St. Petersburg June 25-29

(2013) “How Can Food be Art?, (with Carola Barbero) Università di Scienze Gastronomiche, Pollenzo, April 4-5, 2013

(2012) “Redefining Borders: Where the Philosophy of Art Meets Aesthetics”, SIFA Conference (10th National Conference of the Italian Society for Analytic Philosophy), Università di Alghero, 12 settembre

(2012) “Semantic Vehicles that are Works of Art”, in Rethinking the Aesthetics, University of Firenze, January 14

(2012) “Che tipo di istituzione è il mondo dell’arte?”, Museo di arte contemporanea del Castello di Rivoli, 23 giugno

(2012) “Filosofie dell’arte. Da Hegel a Danto”, Museo di arte contemporanea del Castello di Rivoli, 21 giugno

(2012) “What An Artwork Is”, in Work and Object. Discussing Aesthetics with Peter Lamarque, University of Parma, April 4

(2011) “Contro il populismo. Attualità dell’aristocraticismo nietzschiano”, Covegno Internazionale, Décadence tra Friedrich Nietzsche e Thomas Mann, Università di Pisa, 13-16 Dicember

(2011) About semantic vehicles that are works of art, Ecap 7 (Seventh European Congress of Analytic Philosophy), Milan, September 2 Milan

(2011) Tavola rotonda “Al cuore della ragione”, Università di Lecce, 26 maggio

(2011) in Dialoghi di Estetica, “Arte”, Circolo dei Lettori, Torino, 24 maggio

(2011) in Dialoghi di Estetica, “Pop”, Circolo dei Lettori, Torino, 10 maggio

(2010) “Il relativismo epistemico di Friedrich Nietzsche”, 9th National Conference of the Italian Society for Analytic Philosophy, Università di Padova, 23-25 September

(2010) “Che cos’è l’ontologia?”, Università di Torino, 22 settembre

(2010) “Il mondo dell’arte come istituzione sociale”, Università di Bergamo, 17-18 giugno

(2009) “Ontologie dell’arte: teorie istituzionali vs teorie essenzialistiche”, Università Vita e Salute, San Raffaele, Milano, 15 Dicembre.

(2009) “Nietzsche and Sciences”, Fordham University, March 24th

(2007) “Lo Zarathustra di Nietzsche”, Seminario permanente nietzschiano. II Edizione, Pisa, 29-30 novembre.

(2007) “Dalla parte di Testadura: ontologia e percezione”, Torino, 15-16 novembre

(2007) “No appreciation without interpretation”: il gioco di Danto dalla parte di Testadura, Torino, 4-6 ottobre.

(2007) “Un modello rappresentazionale di realtà: alcune note sulla teoria nietzschiana della verità”,
Villa Vigoni (Como), 11-13 settembre.

(2006) “Nietzsche e la cultura dell’Ottocento”, Pisa, 22-23 settembre.

(2006) “Attraverso l’immagine”, Università di Palermo, Italy, June 30th – July 1th 2006, (invited)

(2006) Seminario permanente nietzschiano. III Edizione, Università di Pisa, 17-18
maggio.

(2005) Seminario permanente nietzschiano. II Edizione, Università di Pisa, 6-8
ottobre.

(2005) Seminario permanente nietzschiano, Università di Pisa, 10-11 marzo.

(2004) “Rudolf Arnheim: arte e percezione visiva”, Palermo, 19-20 novembre.

(2004) “Metafisica e Nichilismo. Löwith e Heidegger interpreti di Nietzsche”, Bologna1-2 aprile

(2003) Friedrich Nietzsche. Edizioni e interpretazioni, Università di Lecce, Lecce,
24-26 marzo.

(2003) “Fiat Lux”, Capo d’Orlando (Catania), 7 novembre

(2003) “Prospettive della ontologia contemporanea”, Milano, 19-20 maggio, Università di Milano, Milano, 19-20 maggio

(2003) “Fare estetica”, Università di Palermo, Palermo, 20 aprile

(2002) “Friedrich Nietzsche e l’estetica della percezione indiretta”, Reggio Emilia, 18 Dicembre 2002 (XIII Convegno nazionale dei dottorati di ricerca in filosofia)
 
 
Teaching
2018-2019 “Che cosa è la Filosofia”, Online learning (with Maurizio Ferraris) [12 cfu]
[http://start.orientamente.unito.it]

2017-2018 “Filosofia Teoretica”, University of Turin [BA program] [12 cfu]

2016-2017 “The Philosophy of Art and Architecture”, Politecnico di Torino [taught in
English]
[3 cfu]

2016-2017 “The Philosophy of Friedrich Nietzsche”, University of Turin [BA program, 12 cfu]

2016-2017 “Ontology of Art”, University of Turin [MA, program: Philosophy International Curriculum,
Università di Torino, 6 cfu] (http://www.filosofia.unito.it/pic/)

2015-2016 “Ontology”, University of Turin [MA program, 6 cfu].

2015-2016 “Ontology of Art”, Department of Philosophy, University of Warsaw, Poland (one week)

2014-2015 “Social Ontology”, University of Turin [MA program, 6 cfu].

2014 Broad of Teachers in the PhD. program of Philosophy “FINO”[regular teaching, supervision of PhD thesis] [http://www.fino.unige.it].

2014 “Contemporary Ontology”, International Summer School in Philosophy, ITMO University,Russia.(July,2014).

2013-2014 Philosophical Classic: The Philosophy of Friedrich Nietzsche, University of Turin

2013 The concept of the work of art, in Master of Economy and Management, Il Sole24ore, May 8th, Milano

2012 The question of definition in the ontology of art, in Master of Economy and Management, Il Sole24ore, December 14th, 2012, Roma

2012-2013 Introduction to Ontology, University of Turin

2011-2012 The Ontology of Art, University of Turin

2013 Master “Art and Cultural Heritage”, Gruppo Il Sole24Ore, Milano e Roma.

2009-2010, Edmund Husserl, Idee, vol. I, University of Turin,[BA program, 6 cfu]

2009-2010 Ontology, University of Turin,[BA program, 6 cfu]

2008-2009 Introduction to Ontology, University of Turin,[BA program, 6 cfu]

2007-2008 Introduction to Ontology, University of Turin,[BA program, 6 cfu]

2006-2007 The Ontology of Will to Power in Friedrich Nietzsche, University of Turin,[BA program, 6 cfu]
 
 
Advisory Board
2018- Member of the Editorial Advisory Group, Cambridge Scholars Publishing
(http://www.cambridgescholars.com

2016 “ARDETH. Architectural Design Theory” [Italy]

2015 “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” [Italy]. (http://www.fupress.net/index.php/aisthesis).

2014 “ΠΡΑΞΗΜΑ. Journal of Visual Semiotics” [Russia] (http://praxema.tspu.edu.ru/)

2013 “Aisthema. International Journal” [Italy] (http://www .aisthema.eu/ojs/index.php/Aisthema)

2011 “Rivista di Estetica” [Italy] (http://labont.it/rivista-di-estetica)
 
 
Services to Profession
2018- Remote Referee | European Research Council (ERC)

2017 Organizator: Humanities For Europe, Torino, December 14, 2017 Narrazioni
giuridiche, filosofiche, re-ligiose e letterarie che fanno l’identità europea
[Pre-selected for Altiero Spi-nelli Prize: http://ec.europa.eu/education/calls/altiero-spinelli-prize-contest-2017_en]

2016 Co-organization of the conference of the International Association for Critical Realism,
The 20th IACR Annual Conference, July 17-21, 2017, Università di Torino, Italy.

2016-2017 Co-organization of the conference of the “International Association for Critical Realism“,
The 20th IACR Annual Conference, July 17-21, 2017, University of Torino, ITALY.

2015 Editorial Board of the scientific re-view: “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” [Italy] (http://www.fupress.net/index.php/aisthesis).

2014 Editorial Board of the scientific review: ΠΡΑΞΗΜΑ. Journal of Visual Semiotics” [Russia].

2014 Broad of Professor in the PhD. of Philosophy “FINO”.(http://dottfilosofia.campusnet.unito.it/do/home.pl)

2012 Progetto di ricerca Italia-Polonia dal titolo “A.C. Danto and the Beginning of Art. From
Academism to Popartism” direzione congiunta con il. Prof. Leszek Sosnowski, Department of
Philosophy della Jagiellonian University, Cracovia.

2011 Co-organisation of the IX Conference of the Italian Society of Aesthetic (SIE), University
of Torino.

2011 Director of the Series: “Collana di estetica analitica”.

2011 Editorial Board of the scientific review: “Rivista di Estetica”.

2009-2012 Participation to national research project: “.DOC. Documentality and Organization of Social Complexity” (coordinated by Prof. Maurizio Ferraris).

2009 Head of the Editorial Board of the review: “Rivista di Estetica”.

2008 Promoter committee of “Brillo – International Festival of the Philosophy of the Contemporary Art” (http://brillofestival.com/).

2007 Organisation of the international symposium, “Il futuro dell’estetica”, Torino, October 2nd-4th.

2007 Co-organisation of the annual conference of the Italian Society of Aesthetic, Pollenzo (Italy).

2006-2008 Participation to national research project: “Documentality: Ontologies and Technologies for the Citizenship and the Democracy” (coordinated by Prof. Maurizio Ferraris).

2006 ILO (Industrial Liasons Office) project coordinator: two stages at Turin’s University, “Found raising and Human Research”.

2006 Cooperation with 2R – Rivista di Recensioni Filosofiche.

2005 Member of SPN (Permanent Workshop on Nietzsche), supervised by Prof. Giuliano Campioni.

2004-2006 Participation to national research project: “Ontological Canon: An Integrative Approach to
Knowledge Organisation” (coordinated by Prof. Maurizio Ferraris).

2004 Co-organisation of the international conference “FOIS 2004” (Formal Ontology in Information
Systems).

2003-2005 Participation to national research project: “Doing Things with Images” (coordinated by Prof. Tonino Griffero).

2003 Co-organisation of the international conference “Ontology of Intellectual Property”, Torino.

2002 Co-organisation of the international symposium” Ontology and Naïve Physics”, Naples.

2002 Co-organisation of the international symposium on “Analytic Ontologies”, Torino.