Rivista di Estetica N.S. 63 (3/2016), anno LVI.

intermediality and interactivity

A cura di: Dario Cecchi

Link to OpenEdition

Intermediality and interactivity are an issue for aesthetic theory. However, unlike in the recent past, artistic or video experimentation are not predominant aspects of aesthetic experience. Our enquiry is stimulated today by the investigation on the nature and functioning of media and interfaces and aims to clarify how our habits and experiences are changing. The essays gathered here put these questions into context and try to define the state of the art. In order to do so, they point out to a pivotal issue: that by speaking of “aesthetics” we refer more and more frequently to a theory of perception and sensitivity – and only occasionally to a theory of art. When we deal with creativity within this context, we refer to phenomena that can be only loosely referred to the domain of the arts, while they are relevant for the field of technique. We need to ask: Is aesthetics today a “technoaesthetics”, which concerns our forms of life rather than our taste for beauty?

Indice
Dario Cecchi, Intermedialità, interattività (e ritorno).
Nuove prospettive estetiche
Ricordo di Paolo Rosa
Valentina Valentini, Lo spazio interiore.
Colloquio tra Giorgio Barberio Corsetti e Pietro Montani, Roma, 20 settembre 2015,
a cura di Dario Cecchi
Roberto Diodato, Politicizzazione dell’arte
Images and narratives between intermediality and interactivity
Emanuele Alloa, L’apparato delle apparenze. Sul concetto di fenomenotecnica e la sua incidenza sull’estetica e l’epistemologia
Anna Munster, Into ‘inter’: the between in interacting
Seung-hoon Jeong, Femdom, the libidinal edge of interfacial heaven
Angela Maiello, L’immagine d’archivio nell’epoca della partecipazione interattiva
Yves Citton, Immedialità intra-attiva e intermedialità estetica
Bernard Stiegler, Lo schermo di scrittura
Martino Feyles, Inter-mediazioni: estetica e fenomenologia del «tra»
James Paul Gee, Video games, design, and aesthetic experience
Enzo D’Armenio, Percezioni di genere nelle esperienze di significazione. Appunti per una retorica intermediale

varia
Stefano Caputo, Le due verità
Cristian Hainic, Early theoretical models for the aesthetic analysis of non-art objects
Michael Angelo Tata, The law of friendship and its social grammatology

recensioni
Marie Rebecchi, La Galassia Lumière. Sette parole chiave per il cinema che viene,
di Francesco Casetti